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  • Miradas | Belkis Ayón

    GLANCES Factory Havana, Old Havana, Havana, Cuba. ​ May 23 - August 23, 2014 From May 23 to August 23, 2014, the exhibition Glances, curated by Dr. Concha Fontenla, took place at the Factory Havana exhibition space. The exhibition brought together works by nineteen artists representing Contemporary Cuban Art, including the printmaker Belkis Ayón, from which three of his large-format works La Familia, Nlloro, and Resurrección could be appreciated. As a whole, the works of the selected artists, according to the curator, trace a possible journey through Contemporary Cuban Art, highlighting a past that distinguishes it, without neglecting its intimate relationship with the latest creative proposals to which they undoubtedly contribute with decisive notes of deep repercussion. Participating artists: Aimeé García, Antonio Eligio Tonel, Belkis Ayón, Carlos Montes de Oca, Eduardo Pónjuan, Ernesto Leal, Felipe Dulzaides, Ibrahim Miranda, Jorge López Pardo, José Angel Toirac, José Manuel Fors, Lidzie Alvisa, Luis Enrique Camejo, Pedro Pablo Oliva, Roberto Fabelo, Sandra Ramos, Santiago Rodriguez Olazábal. Fuera de la galería

  • I Edition | Belkis Ayón

    I National Collography Contest Belkis Ayón ANNOUNCEMENT Basis All Cuban students and artists with engravings made in the collography technique, printed between 2011 and 2012, who have not participated in a previous exhibition, event, or contest, will be able to participate. ​ Inscription The works must be sent unframed through certified mail or in person before March 10, 2013, to the headquarters of the Centro Provincial de Arte de Cienfuegos, at Ave 56, No. 2601, between 25 and 27, Cienfuegos, CP 55100, telephone: (043) 55 06 76. Each artist will have the right to present three works (independent or triptych) duly signed and numbered in pencil, which cannot exceed 60 x 80 cm. Workshop or artist tests are not accepted. The works submitted to the contest must be unpublished. ​ Selection A jury will be appointed to select and award the works received. The selected and awarded works will be exhibited at the Cienfuegos Art Gallery, within the program of the 7th La Estampa Fair, an event that will be officially inaugurated on April 6, 2013, at 9 p.m., at which time the will make public the final decision of the jury. The exhibition will remain open to the public for 30 days. The exhibition will be presented in Havana during the next engraving meeting to be held in 2013. The selected artists will be given the Certificate of Participation once the exhibition is over, along with the return of their works within 45 days. The organizers of the contest are responsible for the care of the works sent, running with all the expenses generated by the return of the same to their authors. ​ Prize A single and indivisible Grand Prize will be awarded consisting of 3,000 Cuban pesos (donation from the artists belonging to the workshop and to the Belkis Ayón Estate), a diploma, and a reproduction of a work by the artist to whom the contest is dedicated. The Jury will award mentions at its discretion without financial endowment. The winning works will become part of the Cabinet of La Estampa de Cienfuegos. The award-winning artist will be invited to perform a personal exhibition at the Cienfuegos Art Center next year. Participating in the Belkis Ayón National Coloring Contest implies acceptance of these Terms and Conditions. The Jury's decision will be final. ​ ​ More information ​ Organizing Committee of the Belkis Ayón National Coloring Contest ​ GRAPHIC SOCIETY OF CIENFUEGOS Sociedadgraficadecienfuegos@gmail.com plastica@azurina.cult.cu (043) 51 79 79 ESTATE OF BELKIS AYÓN, HAVANA belkat@cubarte.cult.cu (07) 642 30 83 www.ayonbelkis.cult.cu www.ayonbelkis.com JURY AWARDS Events and Exhibitions I N ational Collograpy Contest Belkis Ayon Cienfuegos, 2013 Selected works and Exhibition Muestra Concurso Fuera de la galería Fuera de la galería Exhibition Texturas Develadas Fuera de la galería Exhibition Nuevas Circusntancias Fuera de la galería

  • News | Belkis Ayón

    NEWS Belkis Ayón at the 34th São Paulo Biennial The 34th edition of the Sao Paulo Biennial will feature the work of Belkis Ayón (Havana 1967-1999). The event, one of the most prestigious in the world and an indisputable reference for the art of our continent, will host 16 works by the renowned Cuban artist. READ MORE February, 2020: Nkame arrives at the Chicago Cultural Center The traveling exhibition Nkame: A Retrospective of the Cuban Printmaker Belkis Ayón (1967-1999) will be inaugurated on February 29, 2020, at its sixth venue, the Chicago Cultural Center. READ MORE IV National Collography Contest Belkis Ayón Announcement for the IV national Collography Contest Belkis Ayón. April 9-12, 2020. Cienfuegos ​ IV Edition postponed due to the epidemiological situation with the Covid-19 READ MORE Behind the veil of a myth. New book about Belkis Ayón's artwork Behind the veil of a myth, with texts by the curator Cristina Vives, was produced by the Station Museum of Contemporary Art and the Belkis Ayón Estate. READ MORE Nkame arrives at the Station Museum of Contemporary Art in Houston, Texas After the successful presentations in different cities of the United States while traveling through this country, the exhibition Nkame. A Retrospective of the Cuban Printmaker Belkis Ayón (1967-1999), arrives at the Station Museum in Houston, Texas. READ MORE Nkame: A Retrospective of the Cuban Printmaker Belkis Ayón, selected among the best of the art of 2017 worldwide by ARTnews magazine ... among other very important contemporary art exhibitions of the year, Nkame ... was selected in position number 4, among the best exhibitions in the world of the year 2017 ... READ MORE Nkame: A Retrospective of the Cuban Printamker Belkis Ayón, selected among the best of art of 2017 by the New York Times Nkame featured this summer at Museo del Barrio, NY (June 13 - November 5) was selected among the best of the art of 2017 by the New York Times ... READ MORE Nkame: A Retrospective of the Cuban Printmaker Belkis Ayón (1967-1999) at the Museo del Barrio, New York. The exhibition Nkame: A Retrospective of the Cuban Printmaker Belkis Ayón will be inaugurated at the Museo del Barrio in New York on June 13. This will be the second venue to host the artist's first personal exhibition at an institution in the United States ... READ MORE Nkame: A Retrospective of the Cuban Printmaker Belkis Ayon (1967-1999) at the Fowler Museum at UCLA This will be the artist's first personal exhibition at an institution in the United States. The exhibition brings together 43 works and a documentary by the American filmmaker Sun Meidia ... READ MORE Memories Belkis Ayón's work will be part of the exhibition "Memories" that will open next Thursday, April 14 at 6:00 pm in the Gallery Orígenes of the Gran Teatro de La Habana «Alicia Alonso». READ MORE The 2015 Palma Digital Prize is awarded to the website of the artist Belkis Ayón READ MORE An interdisciplinary course in order to improve English language skills The mysterious character in the image is a student who selected the piece by Belkis Ayón and covered his face alluding to the work it represented ... READ MORE Callaloo Art & Culture in the African Diaspora Magazine illustrated its cover with the piece La Cena, 1988 by Belkis Ayón Issue 4 of the Callaloo Art & Culture in the African Diaspora Magazine illustrated its cover with the piece La Cena de 1988 by Belkis Ayón, of which we can find a dossier with more of her works and specific aspects of her artistic life. READ MORE Agglutinated between the esoteric and the Manic Art Under the title of Witches, but also Warlocks, the Aglutinador space and the Maniac Art Museum these days exhibit a sui generis sample that blends art with rites and religious beliefs from different parts of the planet. READ MORE The book Nkame wins Second Prize for the best books published in Spain in 2010 The Ministry of Culture of Spain has awarded the Awards for the Best Edited Books in 2010. These awards do not have an economic endowment but are highly valued by publishers for what they mean of recognition and prestige to their editorial work, as well as for the dissemination that it entails, being included in the book promotion actions and exhibited at the main national and international fairs. READ MORE Curatorship Award 2009 The National Council of Plastic Arts presents the CURATORSHIP AWARD to Cristina Vives for NKAME. BELKIS AYÓN (1967-1999). ANTHOLOGICAL EXHIBITION. READ MORE Book NKAME. Belkis Ayón The National Museum of Fine Arts, the National Council of Plastic Arts, José A. Figueroa, and the Belkis Ayón Estate presented at the MNBA Theater. ARTE CUBANO Building, the books: NKAME, Belkis Ayón and José A. Figueroa. A Cuban Self-Portrait. READ MORE

  • Colectivas1 | Belkis Ayón

    COLLECTIVE EXHIBITIONS Renderings. New Narratives and Reinterpretations Mechanical Hall at Delaware University, Philadelphia, United States September 3 - 30, 2014 Read more Havana Factory, Old Havana, Havana, Cuba. ​ May 23 - August 23, 2014 ​ ​ Glances Read more Without Masks. Contemporary Afro-Cuban Art. Museum of Anthropology (MOA), University of British Columbia, Johannesburg Gallery of Art, Vancouver, Canada, Johannesburg, South Africa ​ May 2 - November 2, 2014 Read more Shanghai Urban Planning Exhibition Center (SUPEC), Shanghai, China ​ March 3 - April 8, 2014 Rolling they meet. The Art Collection from the National Council of Plastic Arts Read more In the heat of the thought. Works from the Daros Latinoamérica Collection Santander Group City Art Room, Madrid, Spain February 3 - April 30, 2010 Read more previous Next

  • Early Work | Belkis Ayón

    BELKIS AYÓN: EARLY WORK Arthur Ross Gallery, University of Pennsylvania . . September, 2003 Text to the catalog: Rosemary Branson Gill. The sponsors: Massachusetts College of Art Massachusetts Cultural Council Spire ​ Belkis Ayón. Early works, is sponsored by Alex Rosenberg Fine Art, New York. Exhibition and reception presented in conjunction with Revolution and Representation: An International Conference on Contemporary Printmaking. This exhibition was presented at: 2003-2004 Resurrection. Belkis Ayón (1967-1999) Collographs from Cuba, Massachusetts College of Art, Arthur Ross Gallery, University of Pennsylvania and Brandywine Workshop, October 11-January 4, 2004, Philadelphia, Pennsylvania, United States. Co-sponsored by: Romance Languages ​​Department Latin American Women and Culture Studies Program Center for African Studies, University of Pennsylvania With the support of the Department of Religious Studies, Department of Arts, Center for African American Research, House of Latin and African Studies. Collaboration with the Brandywine Workshop and Alex Rosenberg Fine Art, New York. Fuera de la galería

  • Siempre vuelvo | Belkis Ayón

    I ALWAYS RETURN Havana Gallery, Havana, Cuba ​ November 2000 Tribute Exhibition General coordination: Katia Ayón and Dalia González Texts: Yolanda Wood, Hilda Ma. Rodríguez, David Mateo Sponsor: Gan Gallery, Tokyo, Japan. SponsorS: National Council of Plastic Arts Wifredo Lam Contemporary Art Center National Union of Writers Artists of Cuba Cuban Fund of Cultural Assets ​ VIRTUOSE OF LABYRINTHS From the same source of her power Their wounds come from Adrianne rich To Belkis Ayón We believed you to be a stone with an eternal edge, Unconquered Legends Challenge And we abandon ourselves to the lightning of your laughter, To the gravity of your image. Virtuous of labyrinths that she devoured with her hands, Persephone without temples or diaries, You left us only the crumbs of your cracks And the sob of a fleeing cortege. We thought you were a sumptuous abode of the tall word And we entrusted ourselves to the towers that wavered your iron silhouette We no longer listen to the whirlwind that stirred your waves, We do not notice the mist, nor the fragility of your shadow, And we get caught up in spasm and helplessness. We loved you the owner of the unfathomable magic, Of forges and bonfires But we didn't know about your bellows In the deep place of the unspeakable. A single blow burst out of grief, Anguish struck, erased the tracks And the silence and the pain left us Of the one who is still waiting. Hilda Maria Rodriguez September 1999 ​ ​ BACK OVER THE SENSES Once, naively, I thought I was penetrating the reserved universe of Belkis Ayón; I imagined that I could add to my curriculum of author revelations the unpublished fact that she did not know how to draw very well, and that it was her face and body that had always served as patterns for the elaboration of her images. The moment Belkis made that unusual confession to me, which I made public in La Gaceta de Cuba, I was able to allow myself to be seduced by the gesture of deference that she herself implied; although I also came to think that it was an attitude derived from a certain carelessness, a certain presumption, in someone who was not afraid to expose her imperfections because she had already entered the sacrosanct precinct of legitimation. I convinced myself in those days that her greatest expertise was then focused on knowing how to compensate for the lack of ability to carry out a precise sketch, a meticulous drawing, with the implementation of an impeccable, refined and strict collographic procedure in each phase of her particular method, and in which the impact of the composition fell fundamentally on a series of value and color effects. To all this was added, in my opinion, the suspicion of having known how to choose within the Cuban cultural heritage a legend little addressed by the plastic arts, in whose narrative nucleus the experienced woman the most deplorable of the principles: the absolute exclusion. By believing that I was breaking into the confidential space of Belkis Ayón's artistic production, the only thing I had actually managed to do with the appropriation of that news was timidly touch its vertices. I was not able to understand that this argument not only offered me the indispensable coordinates to unravel the devices that she used in the consummation of her works but also to be able to investigate the concerns and uncertainties that haunted her as a creator and individual. In other words, Belkis deposits in me, as perhaps she has done in other inquirers, the necessary indications for me to commit myself to develop a much deeper investigation, which would make the retaining wall demolish once and for all, the limit that I prefixed the difference between the public valuation of her work and her personal subsistence. Analyzing today the creation of this artist as a result of the unfortunate outcome of her life, it is presented to me in a very different way: much more humanized and visceral; stripped completely of the restraint implied by a technical concern; finally rescued from the desire to continue being legitimized as a project with a florist and almost anthropological spirit, without taking into account its purely existential foundation. I also realize that what I interpreted at the beginning as an absence of a definition, could now paradoxically become a reliable test of synthesis capacity. For if what seemed to interest her, was the use of the body as a depository model of dramatic force, it was logical to suppose that she eliminated everything superfluous, everything insignificant, in order to arrive at the scene of expression; it was enough then with a gesture, with a contortion, with a look ... When Belkis emphasizes the Sikan conflict, she seems to want to emphasize her own conflict. The cause of one was unfolding more and more until it became the cause of the other. The fantastic passage must have been the pretext, the excuse; and recreation with the figuration of the royal road to show the traces of anguish, of dissatisfaction that no one knew how to capture and dissolve, not even the beings closest to it. Despite the fact that some of us already felt a growing contradiction between the gloomy atmosphere, the excess of adversity that her works reflected, and the peaceful and optimistic character that she showed before others; even though, in the last days of her life, we forbid a very strange struggle to appear at times behind her gaze, a force something like between disturbed and apprehensive, which she knew how to hide very well with her inscrutable smile. David Mateo November 2000 Fuera de la galería

  • news Artnews 2017 | Belkis Ayón

    NKAME: A RETROSPECTIVE OF THE CUBAN PRINTMAKER BELKIS AYÓN SELECTED AMONG THE BEST OF THE ART OF 2017 WORLDWIDE BY ARTnews MAGAZINE Jan 4, 2018 Yadira Leyva Ayón © www.artnews.com On December 27, 2017, the article by Andrew Russeth, «2017: THE YEAR IN REVIEW, was published on the ARTnews website. The Year in, and Beyond, New York Galleries — Plus a Top 10 from Around the World. In the article, among other very important contemporary art exhibitions of the year, Nkame… was selected in the number 4 position among the best exhibitions in the world of the year 2017. Andrew Russeth refers: “Once you take a look at the large-scale pieces that Belkis Ayón made by assembling printed panels, you never forget. They are typically black, white, and every shade of gray (though she briefly and incredibly dipped into the color), and they feature, with supernaturally sinuous confident lines, figures with faces that only have piercing eyes, piercing eyes, performing non-ritualistic rituals. identifiable, hugging each other, and, yes, looking at us, inspired by the male and Afro-Cuban secret society known as Abakuá. The world lost the Cuban artist in 1999, at the age of 32, and this retrospective made it clear that if she were still alive, she would be one of the main figures operating today. " Nkame: A Retrospective of the Cuban Printmaker Belkis Ayón, previously exhibited at the Fowler Museum at UCLA, and then at the Museo del Barrio in New York, has been selected as the best of art for two years, as it was also chosen as the best of art in Los Angeles in 2016. ​ Link to the article HERE PREVIOUS NEWS NEXT NEWS

  • Sta. Barbara Church, Alemania 1995 | Belkis Ayón

    HOLD ME IN PAIN Unterstütze mich, halte mich hoch, im Schmerz. Belkis Ayón / Hold me in pain Kirche St. Barbara, Breinig, Germany ​ November, 1995 ​ Curators: Helmo Hernández, Ludwig Foundation of Cuba Prof. Dr. Wolfgang Becker, Ludwig Forum Aachen Words to the catalog: “Among the artists who develop the theme of God in their paintings. We are passionate about Belkis Ayón for several reasons. She comes from Cuba, and the native population of Africa on this island has achieved in Santeria a special mixture of Christian icons with the orishas of the Yoruba religions. The fact that Belkis Ayón deals with these issues makes her an artist who began in the 80s when a new perspective on religions and their importance for the lives of mankind emerged throughout the world. And in the socialist state of Cuba, this occupation has a meaning: the contradiction assumed with the religious members of the Party enriches the political practice. Belkis Ayón is a draftsman, and a printmaker with precision, subtlety, and perfection rarely seen. And yet that desire for perfection is not put at the service of the search for any beauty, but for a respectful contradiction in works full of concerns and dignity ”(Wolfgang Becker, in Belkis Ayón, Halte mich hoch… (Breining, 1995). ​ ​ Fuera de la galería

  • II Edición CNCBA | Belkis Ayón

    II National Collography Contest Belkis Ayón ANNOUNCEMENT The National Council of Plastic Arts, the Union of Writers and Artists of Cuba (UNEAC), and the Graphic Society of Cienfuegos, in coordination with the Estate of Belkis Ayón, the Provincial Council of Plastic Arts, the Provincial Committee of the UNEAC, The Cuban Fund of Cultural Assets, the Paradiso Cultural Agency and ARTEX of the Cienfuegos province, summon all interested artists to participate in the Belkis Ayón National Coloring Contest, in homage to one of the Cuban artists who marked, with her graphic work and pedagogical, a milestone in the history of Engraving in Cuba. Basis of Participation All Cuban students and artists with engravings made in the COLLOGRAPHY technique, printed between 2014 and 2015, who have not participated in a previous exhibition, event or contest, may participate. ​ Inscription The works must be sent unframed, through certified mail or in person, before March 10, 2015 to the Sociedad Gráfica de Cienfuegos, located at Ave. 50, # 2326, between Calle 23 and Calle 25, Cienfuegos 1 , Hundred fires. Tel. 043 517979. Each artist will have the right to present three works (independent or triptych) duly signed and numbered in pencil, which cannot exceed 60 x 80 cm (paper measurements). Workshops or artists tests are not accepted. ​ Selection A single Jury will be appointed to select and award the works received. The selected and awarded works will be exhibited in the Cienfuegos Art Gallery, within the program of the 9th La Estampa Fair, an event that will be inaugurated on April 7, 2015, at 9 p.m., at which time it will be official the jury's decision. The exhibition will remain open to the public for 30 days. Likewise, it will be presented at the Casa del Benemérito de las Américas Benito Juárez of the Office of the City Historian, Havana, in 2015. The selected artists will be given the Certificate of Participation once the exhibition is over, along with the return of their works within 45 days. The organizers of the contest are responsible for the care of the works sent, running with all the expenses generated by the return of the same to their authors. ​ Prize A single and indivisible Grand Prize will be awarded consisting of 3 000.00 MN (donation of the artists belonging to the Taller de la Sociedad Gráfica de Cienfuegos and the Estate of Belkis Ayón), a diploma and a reproduction of a work by the artist to which the contest is dedicated. The Jury will award mentions at its discretion, without financial award. The Jury's decision will be final. The winning works will become part of the Cienfuegos Stamp Cabinet. The awarded Artist will be invited to perform a personal exhibition at the Cienfuegos Art Center in 2017. The Belkis Ayón Residence, awarded to the award-winning artists, will run for a week; During this period, they will share experiences with prominent artists of contemporary Cuban plastic and engraving. Participating in the II Belkis Ayón National Coloring Contest implies acceptance of these Terms and Conditions. ​ More information Organizing Committee of the Belkis Ayón National Coloring Contest GRAPHIC SOCIETY OF CIENFUEGOS caceres69@azurina.cult.cu | 043 517979 ESTATE OF BELKIS AYÓN, HAVANA belkat@cubarte.cult.cu | 07 642 3083 www.ayonbelkis.cult.cu | www.ayonbelkis.co Jury Awards Members of the Jury of the II National Collography Contest together with members of the Estate of Belkis Ayón and La Sociedad Gráfica de Cienfuegos. Cienfuegos, 2015. Events and Exhibitions II National Collography Contest Belkis Ayon Cienfuegos, 2015 Selected Works and Exhibition Muestra Concurso Fuera de la galería Fuera de la galería Exhibition Marcando Territorio: Gráfica femenina de México Fuera de la galería Exhibition ¿Sólo uno tiene la verdad? Fuera de la galería Exhibition Con las mismas manos. Exposición colectiva de grabado Fuera de la galería Exhibition Paisajes Cercanos Fuera de la galería Exhibition Nocturno Fuera de la galería Collography Master Class by Miguel A. Lobaina Fuera de la galería

  • Collography contest | Belkis Ayón

    January 2, 2020 Yadira Leyva Ayón © Belkis Ayón Estate ​ Announcement for the IV Collography Contest Belkis Ayón. April 9-12, 2020. Cienfuegos ​ ANNOUNCEMENT ​ The National Council of Plastic Arts, the Union of Writers and Artists of Cuba (UNEAC), and the Graphic Society of Cienfuegos, in coordination with Espacio Ayón, the Belkis Ayón Estate, the Provincial Council of Plastic Arts, the Provincial Committee of the UNEAC and the Cuban Fund of Cultural Assets of the province of Cienfuegos, summon all interested artists and students to participate in the IV National Contest of Colography Belkis Ayón in tribute to one of the Cuban artists who marked, with her graphic and pedagogical work, a milestone in the history of Engraving in Cuba. ​ Basis of Participation All Cuban students and artists with engravings made in the COLLOGRAPHY technique, printed between 2019 and 2020, who have not participated in a previous exhibition, event, or contest, may participate. Inscription The works must be sent unframed, through certified mail or in person, until March 18, 2020: To the Association of Plastic Artists of the UNEAC of Havana, appointment at 17 and H, Vedado. Tel. 78325781, in the case of artists and students residing in the western provinces (Pinar del Río, Havana, Artemisa, Mayabeque, Matanzas and Isla de la Juventud) To the Graphic Society of Cienfuegos, appointment at Ave. 50, # 2326, between Calle 23 and Calle 25, Cienfuegos 1, Cienfuegos. Tel. 43 517979, in the case of artists and students residing in the central provinces (Villa Clara, Cienfuegos, Sancti Spiritus and Ciego de Ávila) To the Caguayo Foundation, appointment at Calle 4 No. 403 between 15 and 17, Rpto Vista Alegre, Santiago de Cuba, CP 90400, Tel. 22 643492, in the case of artists and students residing in the eastern provinces (Camagüey, Las Tunas, Holguín, Granma, Santiago de Cuba, Guantánamo). Each artist will have the right to present three works (independent or triptych) duly signed and numbered in pencil, which cannot exceed 60 x 80 cm (paper measurements). Workshop or artist tests are not accepted. Selection A Jury will be appointed to select and award the works received. The selected and awarded works will be exhibited at the Cienfuegos Art Gallery, within the program of the 14th Feria de La Estampa, an event that will be officially inaugurated on April 9 and until April 12, 2020, making the final decision of the jury public. on April 9, at 9 pm, the opening day of the competitive exhibition. The exhibition will remain open to the public for 30 days. It will also be presented at the Casa del Benemérito de las Américas Benito Juárez of the City Historian Office, Havana, in 2020. The organizers of the contest are responsible for the care of the works sent, running with all the expenses generated by the return of the same to their authors. Prize A single and indivisible Grand Prize will be awarded consisting of 5 000.00 MN (donation from the printmaking workshop artists and the Belkis Ayón and Estate), a diploma, and a reproduction of a work by the artist to whom the contest is dedicated. The Jury will award mentions at its discretion, without a financial award. The awarded artist will be invited to the Printmaking Workshop "Magenta Rhinoceros" in the city of Toluca, Mexico, for a 10-day artistic residency. The winning works will become part of the Cienfuegos Stamp Cabinet. The awarded artist will be invited to carry out a personal exhibition at the Cienfuegos Art Center in 2022, within the official program of the V National Contest of Collography. The not-selected works must contact the Organizing Committee for their return. Participating in the National Collography Contest Belkis Ayón implies acceptance of these Terms and Conditions. The Jury's decision will be final. More information Organizing Committee of the National Collography Contest Belkis Ayón ESTATE OF BELKIS AYÓN, HAVANA belkat@cubarte.cult.cu | 7 642 3083 GRAPHIC SOCIETY OF CIENFUEGOS caceres69@azurina.cult.cu | 43 517979 www.ayonbelkis.cult.cu PREVIOUS NEWS NEXT NEWS

  • renderings | Belkis Ayón

    RENDERINGS: NEW NARRATIVES AND REINTERPRETATIONS Mechanical Hall at Delawere University, Philadelphia, United States September 3 - 30, 2014 In September 2014, the Brandywine Workshop in Philadelphia, opened to the public in the Mechanical Hall Gallery of the University of Delawere, an exhibition of works in paper from its archives and of invited artists for the exhibition, under the title: Renderings. New Narratives and Reinterpretations, curated by Dr. Cheryl Finley. In it, works by 26 artists from different nationalities were presented, among which were the Cuban printmakers Belkis Ayón and Ibrahim Miranda, all representatives of the art of the African diaspora. Participating artists: Terry Adkins, Maya Freelon Asante, Belkis Ayon, Camille Billops, Jamal Cyrus, Andrea Chung, Letitia Huckaby, Sedrick Huckaby, Curlee Raven Holton, Valerie Maynard, Paul F. Keene, Ibrahim Miranda, Ayanah Moor, Howardena Pindell, Michael B. Platt, Faith Ringgold, Robert Pruitt, Alison Saar, Betye Saar, Juan Sanchez, John T. Scott, Clarissa Sligh, Pamela Phatsimo Sunstrum, Janet Taylor-Pickett, Hank Willis Thomas, Deborah Willis. Fuera de la galería