PRESENTATION OF THE BOOK NKAME. BELKIS AYÓN

nkamebook.JPG

     July 20, 2009

©  Belkis Ayón Estate

 

The National Museum of Fine Arts, the National Council of Plastic Arts, José A. Figueroa, and the Belkis Ayón Estate presented at the MNBA Theater. ARTE CUBANO Building, the books: NKAME, Belkis Ayón and José A. Figueroa. A Cuban Self-Portrait, with the participation of Orlando Hernández.

 

NKAME.Belkis Ayón: this book documents in a meticulous way, the life and work of the Cuban artist Belkis Ayón

 

PROJECT DIRECTOR: Dr. Katia Ayón

EDITORIAL CONCEPT: Cristina Vives

AUTHORS: José Veigas, Cristina Vives, David Mateo, Lazara Menéndez

DESIGN: Laura Llópiz

 

296 PAGES | 400 IMAGES | BILINGUAL SPANISH / ENGLISH EDITION

TURNER EDITORES MADRID

 

WITH THE SPONSORSHIP OF:

Daros Latinamerica Collection, Zürich, Switzerland | The Von Christierson Collection, London, England | Afrikan Museum, Berg en Dal, The Netherlands | Cisneros-Fontanalls Foundation, Miami, USA | Alex and Carole Rosenberg, New York, USA | Brownsote Foundation, Paris, France | Caguayo Foundation, Stgo de Cuba, Cuba

 

Belkis Ayón (1967-1999) left after her death a set of essential works for contemporary engraving.

The religion and the Abakuá Secret Society (original from African Calabar, and settled in Cuba since the 19th century) served the artist as a "source" and a "reference" to construct a universal discourse against marginality, frustration, fear, censorship, impotence and in favor of the search for freedom.

This society, created by men and for men, stigmatizes and segregates women and, in turn, maintains strict discipline and maintains unassailable ethics and mystery. Belkis penetrated the space of the rite as far as she was allowed, and studied all the sources of information at her reach. As a result, she created a breathtaking iconography and interpreted the religious myth from her position as an artist, woman, black, and Latina in the late 20th century. Nkame, synonymous with praise and salutation in the Abakuá language, pays tribute to a creator who left a message of life with her death.

 

José A. Figueroa. A Cuban Self-Portrait: this book narrates more than four decades of the life of a country through the photographic work of José A. Figueroa.

 

RESEARCH AND EDITING: Cristina Vives

ESSAYS BY: Cristina Vives, Dannys Montes de Oca

DESIGN: Pepe Menéndez

 

384 PAGES | 384 IMAGES | BILINGUAL SPANISH / ENGLISH EDITION

TURNER EDITORES MADRID

 

WITH THE SPONSORSHIP OF:  The Busson Foundation Trust

 

José A, Figueroa (Havana, 1946), began his professional life as a photographer in September 1964, when he began working at the Korda Studios in Havana.

Due to his age, social extraction, and training, he is part of a generation of "transition" that was at the triumph of the Cuban Revolution in 1959, too young to be its manager, but adult enough as a conscious and analytical witness. His life and work, place him between "the inside" and "the outside" of that story. Also has allowed him to document, evaluate and symbolize many facets, both of the public and private life of the nation - two sides of the same coin - over many years; most importantly, it's a work made in Cuba or from a Cuban perspective. These characteristics and circumstances are, indeed, rare among their contemporaries or predecessors, seen individually. A Cuban self-portrait is approximately a portion of that story, through the work of one of the essential names in the history of Cuban photography.

 

Promotional price of sale to the public in the presentation: 250 MN. Courtesy of the Belkis Ayón Estate; José A. Figueroa and the sponsors.